From the Emory Women Writers Resource Project. Selection of poems edited and introduced by Leigh Tillman Partington.

Carrie Hintz reviews Margaret Cavendish and the Exiles of the Mind, by Anna Battigelli.

Bernadette Andrea reviews Sociable Letters and The Convent of Pleasure, Ed. James Fitzmaurice; The Convent of Pleasure and Other Plays, Ed. Anne Shaver.

"'Thus by the Musick of a Ladyes Tongue': Margaret Cavendish's dramatic innovations in women's education," by Annette Kramer.

Quotes, biography, works, and links.

Compiled by James Fitzmaurice of Northern Arizona University.

Compiled by Ron Cooley of the University of Saskatchewan.

From "Mad Madge: Margaret Cavendish, Duchess of Newcastle Royalist, Writer and Romantic," by Katie Whitaker.

Excerpt from Cavendish's "The Blazing World," and a brief history of the text.

Very short biography, text of her poem, "A World in an Eare-Ring," image of frontispiece to Philosophical and Physical Opinions (1655), and an online quiz.

Selected works from her 1653 edition.

Geraldine Wagner argues that Cavendish "considered textuality a means to subjectivity: one in which there is . . . no sovereign head, but many multi-bodied, competing loci of potential agency."

A brief biographical profile and introduction to Cavendish's work.

A network of scholars that study Cavendish, her works, and her 17th-century contexts.

"This journal constitutes the very first collection of critical essays on Margaret Cavendish." Full-text articles are available in Adobe PDF format.